Lightning Keeps Striking or April is National Poetry Month (and it never ends)

lightningreading2 (2)Is National Poetry Month fun? For me, it’s torture I look back upon fondly, like soccer camp. This year, I’ve tried somewhat successfully to have a saner month than last. Rather than the traditional poem-a-day, I’ve been doing a poem-a-week exchange (since February!) with a group of talented female poets. Poem-in-my-inbox Mondays have made Mondays less Monday.

The Weather Channel says it will be 70 degrees in Madison this Saturday, which means it will be perfect weather for the Lightning Strikes Twice Reading, hosted by Trent Miller, for which I’ll be reading 5 minutes of poems at the Hawthorne Library (5 pm) with this great lineup of poets from near and far: Matt Hart, Adam Fell, Laurel Bastian, Angela Voras-Hills, Steel Wagstaff, Jesse Lee Kercheval, Mark Kliewer, Katrin Talbot, and Rita Mae Reese.

Next week, there’s a creative writing extravaganza at UW-Platteville, which begins with a reading by six of my brilliant manuscript workshop students: Tony Bouxa, Kaela Mellen, Nichole Harkness, Mark Whaley, Priscilla Breininger, and Jacob Reecher and ends with the annual Creative Writing Festival. Somewhere in the middle (actually immediately after the Creative Writing student reading), I’ll be reading some poems for the annual liberal arts symposium. Thank you, Victor, for making the best posters ever (see below), which happen to feature images of two of his sculptures. If you’re in Southwest Wisconsin on Monday, come check us out.

Finally, Justin Lightfoot Bigos and I finished the most epic and fun interview ever yesterday. It’s just gone live at American Literary Review. Look for Lynda Hull love and references to masturbation.

Happy National Poetry Month, y’all! It’s almost over.

Contemporary VoicesPoetry of Otherness

 

 

 

 

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temporary spring, good news, collaborations

Hello spring. Or hello, goodbye. This has been a savage Wisconsin winter, and it might snow again next week. I shudder to think. Yesterday was maybe 55 degrees and sunny. Too much joy.

Good news: Shara McCallum chose a selection of my poetry for the 2012 Lorine Niedecker Poetry Prize from the Council for Wisconsin Writers. It’s an honor to be included in this list of 2012 award recipients. Also, I’m going to the MacDowell Colony in June. A cottage to write in and picnic lunch delivery, oh my!

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Paul Kelpe, Machinery (Abstract #2)

March: AWP Blindness followed by two poetry/visual art collaborations. The first was the third Bridge Poetry Series event at the Chazen Museum in Madison, featuring poems that responded to the 1934: A New Deal for Artists exposition. Imagine the federal government funding the arts as part of a mass effort to alleviate an extended economic collapse. I can’t either. Anyway, organizers Susan Elbe, Jesse Lee Kercheval, Katrin Talbot, and Sara Parrell arranged an amazing reading with this great lineup of poets from the region: Oliver Bendorf, Kim Blaeser, Susan Elbe, David Graham, Karla Huston, Amaud Jamaul Johnson, Mark Kraushaar, Shoshauna Shy, Danez Smith, Angela C. Trudell Vasquez, and Timothy Walsh. You can read the poems here. I chose the below Paul Kelpe painting because he was an abstract artist masquerading as a figurative painter for the money

WILD AMERICA, the second March poetry/visual art project, was a collaboration within a collaboration between the Monsters of Poetry series and eleven visual artists and eleven writers: caryl pagel & jordan anderson/angela voras-hills & ariel brice/kara candito & victor castro/jesse damiani & marina kelly/zac fulton & toby kaufmann-buhler/chloe benjamin & scott espeseth/adam fell & ellen siebers/barrett swanson & brandon norsted/matthew guenette & trent miller/christopher mohar & tom berenz/abraham smith & pete schulte.

Wild America (chale)

Wild America (chale)

Thanks to curator Ellen Siebers and fellow Monster & writer-wrangler Adam Fell for)making this happen.And thank you, visual artists, for putting up with writers, who according to my husband (a sculptor), don’t work well with others, fear technology and never update their author photos. Despite these drawbacks, Victor managed to create this creepy, beautiful sculpture (constructed from baseballs, softballs and glass jars), which inspired “Whistleblower,” a poem that we read in unison at the March 29th event. Conclusions: visual artists have more fun; Caryl Pagel’s poems blow my mind; Zac Fulton is a future canonical poet and parrot expert.

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Another Next Big Thing

Poet, cultural critic and original Monster of Poetry Adam Fell tagged me for this interview. You can catch his here. His genius second book, Dear Corporation, will be released by H_NGM_N Books in the fall. Here goes…

1. What is your working title of your book?

Spectator

2. Where did the idea come from for the book?

A lot of looking & thinking about the stories that become public & private histories, & a lot of wrestling with Lorca’s ghost.

3. What genre does your book fall under?

Poetry

4. Which actors would you choose to play your characters in a movie rendition?

The Log Lady from Twin Peaks as the Log Lady from Twin Peaks.

5. What is the one-sentence synopsis of your book?

Silence, chatter, sex, death, official documents, burning casinos, Bud Dwyer, the Cocoanut Grove fire, Calabria, Lorca’s friendship with Dalí, airplane travel, elevator travel, Mexico City, immigration, blackouts, the Federales, mezcal and my grandfather’s stories.

The book is also inspired by my marriage to a Mexican citizen and our journey towards legal cohabitation. The United States immigration system, with all of its depersonalizing intricacies, has a way of turning you into a spectator of your most personal relationships. At a certain point, we looked at each other and said, “We’re going to do this and it’s going to be ridiculous, but worth it in the end.” And it was. In this sense, Spectator is dedicated to anyone who’s been displaced or redefined by bureaucratic systems of power.

6. Will your book be self-published or represented by an agency?

My book is a makeup compact lost in a forest. The reader will open it and see a shattered reflection of herself.

7. How long did it take you to write the first draft of your manuscript?

Four years

8. What other books would you compare this story to within your genre?

It’s difficult to say which books I’d compare with Spectator, but it was inspired by readings and re-readings of Anne Carson’s Autobiography of Red, Joshua Clover’s Madonna Anno Domini, Traci Brimhall’s Rookery, Lorca’s El Publico and Poeta en Nueva York.

9. Who or what inspired you to write this book?

Something the Director of Lorca’s El Publico says in the first scene: What would I do with the audience if I removed the handrails from the bridge?

10. What else about your book might pique the reader’s interest?

I am at this moment listening to the laughter of students in the halls of a public university and thinking about mango yogurt.

Here are some links to poems from Spectator that have appeared in online journals (with gratitude to the editors and readers who make reading poetry on the web possible, free and beautiful):

“Camino Real” and “There Are Lots of Guns Here—” in Memorious, which is the brainchild of poet Rebecca Morgan Frank, whose Next Big Thing debuts soon.

“Family Elegy in a Late Style of Fire” in The Rumpus

“Elevator: A Love Story” in Better: Culture & Lit

“Bestiary” and “Dying in an Earthquake in Mexico City” in Failbetter

“Andalucian Pastoral at the Grave of Ariel” in AGNI Online

“Love Poem at the Edge of the Great Pacific Garbage Patch” in Diode

And now, my tagged writers for next week:

Cheryl Clark Vermeulen

Samuel Amadon

Liz Countryman

Molly Sutton Kiefer

Frank Giampietro

Also, don’t miss Tyler Mills’s Next Big Thing.

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Stuff I’m Thankful for (the Fall 2013 Version)

It’s been awhile, virtual world. Things have happened. Offline life has been lived and enjoyed, and there are lots of things I’m thankful for this fall (almost winter–something for which I’m not thankful or excited):

Having a finished second manuscript of poetry and 31 new “poems” from October 2013 Poem-A-Day

Having hosted some talented and lovely visiting poets for the fall 2013 Monsters of Poetry and UW-Platteville Visiting Writers series (thank you, Eduardo Corral, Virginia Konchan, Traci Brimhall & Rodney Wittwer) And thanks, Monsters co-curators, Matt Guenette and Chris Mohar and master monster Adam Fell, for a great fall readings season.

Forthcoming Albanian translations of two of my poems, “California” and “I’ve Been Meaning to Write,” in the Albanian language journal, Jeta E Re (courtesy of writer and translator Uk Lushi)

My upcoming trip to Portland, OR, where I’ll be reading at Northwest Academy on December 6th; recording an episode of Late Night Library’s Debut Series with author Dan DeWesse; and reading for Late Night Library’s In and Out of Town Series, with poet Samiya Bashir at 7:30 pm on December 6th, at Literary Arts (all courtesy of host Paul Martone)

My husband’s mole and pozole and his willingness to try cooking spicy tofu (courtesy of Victor Castro Lozano)

Students who help my husband cope with a vegetarian household by bringing him fresh venison sausage (and my cats’ general insanity when he cooks the venison)

The fact that I’ll be returning to Wuhan, China to teach “Introduction to English Literature for TESOL Graduate Students” in January 2013 and spending two days in Beijing on my way to Wuhan (how should one spend two days in Beijing?)

My favorite long poem from my second manuscript, “Elevator: A Love Story,” appears in the debut issue of Better: Culture & Lit (with audio & video) along with some great poems and essays by Elena Passarello, Sam Amadon, Kyle McCord, Elizabeth Arnold and Alison Stine

Henri Le Chat Noir (and thanks, Mari L’Esperance, for introducing me to Henri) and my two photogenic and psychologically complex cats, Cassidy & Saturn

 

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Beautiful Monsters and Other Internet Hits

It’s Friday. I’m on my way to Tallahassee, FL to spend the night with some old friends from my PhD student days. Mosquitos. Chlorine. Wine. Gummy worms. The old staples of southern summers.

But before I leave, some recommended Friday reading. Check out Danielle Pafunda’s great Montevidayo piece Fake-ish Memoir Totes Sincere, Unusually Embodied Affect Performance, and Sean Bishop’s Ploughshares blog post, Plagiarism as Pedagogy.

Also, Wendy Xu’s and Nick Sturm’s collaborative poem, “I Was Not Even Born When You Became an Expert” in Birdfeast Magazine blows me away: “It is so easy/to break the law when the law does not even/know it is not going to last forever.”

And finally, at long last, I give you the first installment of the 2012 UW-Platteville Creative Writing Festival Student Winners’ Readings. Here they are, the first place winners of the Thomas Hickey Creative Writing Awards, reading from their winning work. Yes, senior Michael Lambert reads a poem called “stop or my mom will squirt.” And yes, Jennifer Kerske’s story offers some of the best motherly advice I’ve come across in a piece of fiction. Wait for it.

 

 

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