Kara Candito

Modern Art, Mole and Mezcal in Mexico City

June 18, 2012 | No Comments | Tagged: , , , , , , , , , , , , , , , , , ,

 

I spent the first eleven days of June in Mexico City, where I saw a lot of contemporary art, walked and walked, trolled some bookstores, ate delicious food, took a short trip to Puebla and Cholula, and worked on a multimedia project for the Michigan Quarterly Review.

 

 

 

These were some highlights of my trip:

Rain, almost everyday at rush hour–the strange almost yellow shade of the sky right before it began

Noise–chaotic, human noises–the childlike recording that boomed from the tamal vendor’s car approximately 3x per day,  the biofuel tram passing under the window every 15 minutes from early in the morning to midnight, the rush of water pipes in the apartments above and below. It reminded me of being terrified by the insect sounds of Florida nights when I first moved there from New York City. Lots of Frank O’Hara in Mexico City moments.

The Cinetismo and Tiempo de Sospecha expositions at the Museo de Arte Moderno.

La Casa Estudio Diego Rivera y Frida Kahlo, in San Angel (side note: Diego Rivera was really tall!)

Fun, interactive expositions at Galeria OMR in the Condesa neighborhood. For example, Rafael Lozano-Hemmer’s piece below. Just push the button: “_______ is not the new _________”

Mezcal–it’s like tequila, but better. It makes me happy. Mezcal makers of Mexico, gods of the international liquor trade, consider more North American markets, perhaps in the southeast Wisconsin region.

Learning how to pronounce the words Tamaulipas and cantimplora (canteen).

Tiny, beautiful, and alas often closed churches in Cholula

 Finding a pair of poser glasses for 50 pesos at the Chapultepec metro station

Yummy food, like chilaquiles, flautas, tamales, soy carne asada, fresh fruits and vegetables–mangos, nopal, kiwi, plums, mandarines!–and mole, mole, mole sauce topped with sesame seeds.

Finding two pocket-sized “minifiction” collections–El Viajero del Tiempo, by Mexican writer Alberto Chimal, and Casa de Geishas, by Argentine writer Ana María Shua–published by Hormiga Iracunda Press (Monterrey, Mexico).

I love the parallel universe sensation of discovering writers you admire, who are breathing and writing daring, disturbing things in other countries.

Here’s a poem from Shua’s Casa de Geishas:

[singlepic id=68 w=320 h=240 float=center]

Here’s my approximate translation:

Imitation

Village brothel that imitates a famous brothel of the capital that imitates the brothels of New Orleans that imitate the idea Americans have of the brothels of Paris. Village brothel, distant copy: red velvet balconies, wrought iron women.

Creepy, austere and somehow also lush. I’m a fan.

Now for some poetry shout-outs. Thanks to Virginia Konchan, who invited me to contribute to a genealogy project for the Michigan Quarterly Review. It was strange and fun to work on a collaborative video poem about identity in Mexico City.

Also, thanks to poet Molly Sutton Kiefer for her refreshing blog post, Oh Beauty.

Oh June, the month of brides and Quentin Compson in The Sound and the Fury. I think I’ll reread it. Oh summer.

Finally, if you’re interested, check out this slideshow of my Mexico City trip.

 

 

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